Suddenly Seymour

On March 22, 2025, the Jaeb Theater at The Straz Center in Tampa was treated to a theatrical and emotionally stirring performance as members of the Gay Men’s Chorus of Tampa Bay (GMCTB) brought the Broadway classic “Suddenly Seymour” to life—reimagined with a fresh, queer twist. Part of their spring cabaret concert Say My Name!, this rendition featured Nethaneel Williams as Audrey, Kent Nicholas as Seymour, and Steve Florio, Gabe Irizarry, and Jeremiah Cummings providing soulful and doo-wop-inspired backup vocals that transported the audience into a world where love, support, and transformation were shared and celebrated with open hearts.

In Little Shop of Horrors, “Suddenly Seymour” marks a breakthrough moment where two damaged souls—Audrey and Seymour—find comfort and strength in each other. In GMCTB’s version, that same emotional vulnerability was front and center, but reframed in a queer context that deepened the song’s meaning. With Nethaneel Williams stepping into the role of Audrey, the performance beautifully challenged gender norms while staying true to the spirit of the original: a plea for acceptance and a declaration of self-worth.

Williams’ portrayal of Audrey was heartfelt and commanding, blending delicate vulnerability with strength. His vocals soared with clarity and emotional nuance, capturing Audrey’s inner turmoil and hope. Opposite him, Kent Nicholas gave a sincere and grounded performance as Seymour, his warm tenor voice perfectly complementing Williams’ expressive delivery. Their chemistry on stage was palpable—playful, tender, and moving.

Supporting the duet were chorus members Steve Florio, Gabe Irizarry, and Jeremiah Cummings, whose tight harmonies added depth and texture. Each wearing wigs and flashy outfits, they provided a cabaret-flavored backdrop and harmonized echoes of key lines—enhancing the theatricality and nostalgic feel of the number.

The concert as a whole celebrated personal identity, chosen names, and the power of self-expression through music. From opera arias to pop bangers, each number offered a different facet of the LGBTQ+ experience. But “Suddenly Seymour” stood out as a moment of intimacy and theatrical sincerity, demonstrating how timeless songs can take on new, powerful meanings when told through diverse voices.

For the Gay Men’s Chorus of Tampa Bay, the performance was another example of how they continue to push artistic boundaries while staying rooted in storytelling and community. In the hands of Williams, Nicholas, Florio, Irizarry, and Cummings, “Suddenly Seymour” wasn’t just a love song—it was a declaration of resilience, acceptance, and queer joy.

And as the final note rang out and the audience erupted into applause, it was clear: Seymour may have come “suddenly,” but this performance will be remembered for a long time to come.