Runaround Stu

On March 22, 2025, the Jaeb Theater at The Straz Center in Tampa lit up with energy and nostalgia as Bill Rolon of the Gay Men’s Chorus of Tampa Bay (GMCTB) delivered a cheeky, crowd-pleasing performance of “Runaround Stu,” a playful queer parody of Dion DiMucci’s 1961 hit “Runaround Sue.” Part of GMCTB’s spring concert Say My Name!, Rolon’s performance was a perfect example of the chorus’s blend of humor, musicality, and unapologetic queer storytelling.

Swapping “Sue” for “Stu” and flipping the original song’s perspective, Rolon reinvented the doo-wop classic through a queer lens—bringing it into the 21st century with flair, vocal skill, and a wink of camp. The result was both a loving tribute to the golden era of rock ’n’ roll and a subversive retelling that celebrated queer relationships with humor and honesty.

Vocally, Rolon was right at home in the doo-wop style, delivering smooth runs and crisp phrasing with ease. His charisma radiated as he worked the stage, occasionally engaging the audience with sly glances and playful gestures. The number was as much a theatrical skit as it was a musical performance—perfectly tailored for the cabaret-style format of the evening.

Say My Name! was themed around identity, memory, and the power of names—both those we are given and those we claim. “Runaround Stu,” in this context, was a lighthearted highlight that showcased how even a nostalgic pop tune could be transformed into a statement of joy, visibility, and creative freedom.

The concert featured a wide range of selections, from operatic classics like the “Toreador Song” to deeply emotional Broadway ballads such as “Lily’s Eyes.” Rolon’s performance offered a playful balance to the more serious numbers, reminding the audience that queer storytelling is multifaceted—and sometimes the most powerful moments are also the most fun.

As a member of GMCTB, Rolon is known for his dynamic presence and comedic timing, and “Runaround Stu” played to all his strengths. His performance not only entertained but also embodied the chorus’s mission to reflect the full spectrum of LGBTQ+ experience through music.

In a night filled with big voices and bold interpretations, Bill Rolon’s doo-wop detour stood out as a gleeful ride down memory lane—with a fabulous twist.